i love a photo that draws the viewer in as close as gallery security* will tolerate (Thomas Struth in this particular case)

*on a related note, gallery security in buenos aires seems to follow no discernible pattern whatsoever (it's latin america i know, i know) one moment shadowing your every move at close proximity the next apparently unaware - or wholly unconcerned - that an entire gallery of pricey or priceless works are going unguarded altogether. sk